Single Lee Sang Soon Again Mp3 on Mega
How do you brand a sprawling list of 100 tunes seem criminally brusk? Try to squeeze the greatest state songs of all time into that infinite.
As nosotros considered a century'southward worth of story-driven songcraft, we did our darndest to make sure all of the greats were recognized. And when we say "of all fourth dimension," we meanall time.
Every era is reflected here, from the Carter Family and Jimmie Rodgers' historic recordings to the reign of the "Nashville Audio," outlaws, singing cowboys and popular crossovers.
And before you shake your fists and grumble furiously nearly how the list forgot "Friends in Low Places" or gave "9 to 5" the short stick, let'south establish one basic rule: I song per artist, with the exception being duets.
I song from Greenbacks. One song from Garth. And, yes, as tough equally it tin can be, simply ane vocal from Dolly.
Now, dust off your turntable (or boot upwardly Spotify) and travel through 100 of the greatest tracks to come up from Music Urban center, Bakersfield and beyond.
Agree or disagree? Nosotros want to hear from you:Bring together u.s. on Reddit at 12 p.k. CDT Tuesday, Aug. 27 for an AMA with the writers who compiled this list
Land MILE:Artists, songs and lyrics take us through the rich history of country music
Dolly Parton — "Jolene"
Evocative and woeful, Parton's marquee recording crosses genre and generations — a once-in-a-world vocal without boundaries.
Tim McGraw — "Alive Like You Were Dying"
McGraw's 2004 ballad reminds listeners to love deeper, speak sweeter and give forgiveness that you've been denying.
Tammy Wynette — "Stand Past Your Man"
Five decades removed from hitting airwaves, and country music faithful nevertheless stand alpine for Wynette and her booming chorus.
Brad Paisley and Alison Krauss — "Whiskey Lullaby"
It's known for its layered, mournful instrumentation, but it'due south the ballad'southward devastating storytelling and Paisley's ability to softly serenade that makes "Whiskey Lullaby" one of land's all-time modern cuts.
Alan Jackson — "Where Were Yous (When the Globe Stopped Turning)"
The country music Form of 1989 returns to the best list, this time asking a question in the shadow of a generation-defining event.
Patsy Montana — "I Want to be a Cowboy's Sweetheart"
In 1935, this jaunty tune became the first country song by a female artist to sell more than i million copies. Information technology'south since been covered by everyone from Patti Folio to Cyndi Lauper and Phish.
Clint Black — "Killin' Time"
On his 1989 nautical chart-topper, Blackness tried — and failed — to drink a woman off of his mind.
Eric Church — "Springsteen"
Church expertly captures a fleeting feeling chased past all musicians — like the chorus says, "Sometimes a melody sounds like a memory."
Chris Stapleton — "Tennessee Whiskey"
With a crude but welcoming warmth, Stapleton croons a rendition of this country classic that's worth toasting for years to come.
George Jones — "He Stopped Loving Her Today"
The years go slowly by, just Jones still preys upon our minds.
Deanna Carter — "Strawberry Vino"
A commercial and critical success withal filling Lower Broadway taverns with a chorus that offers "My first gustation of honey, oh bittersweet."
Kenny Rogers and Dolly Parton — "Islands in the Stream"
1 of the biggest pop-country crossovers in history, the love duet has lived on through remixes and constant karaoke rotation.
The Judds — "Why Non Me"
With the championship track of their debut album, female parent and daughter Naomi and Wynonna Judd made their case for existence the biggest country duo of the '80s.
Conway Twitty — "Hello Darlin' "
This self-penned tune became Twitty'southward signature song, almost a guy who can't go over the woman he wronged and lost.
Loretta Lynn — "Coal Miner's Girl"
A vocal, a pic and a way of life for a generation raised on Lynn's working-class honesty.
Kris Kristofferson — "Sunday Morning Coming Down"
Greenbacks fabricated it famous, simply no song may amend exemplify the ability and touch on of Kristofferson's pen.
Don Williams — "Good Ole Boys Similar Me"
During the vocal'south 1980 release and beyond, Williams explains why "we're all gonna be what we're gonna exist."
Jimmie Rodgers — "Blue Yodel (T for Texas)"
Recorded more than 90 years agone, "T for Texas" is considered by many to be the premier song from a blue yodelin' male parent to the genre.
Carter Family — "Can the Circumvolve Be Unbroken (Past and By)"
A torch-bearing telephone call for state music that'southward yet celebrated on stages today.
Ray Toll — "Heartaches past the Number"
It spent 40 weeks on Billboard'south Hot Country Songs nautical chart and 60 years at the top of mind for 1950s country classics.
Rosanne Cash — "Seven Year Ache"
Covered in pulsate loops and 1980s synthesized product, information technology'southward Rosanne Cash's sorrow that stands the test of time.
Steve Earle — "Guitar Town"
A foot-stomping state-stone tribute to wanderlust downwards a lost highway.
Old Crow Medicine Show — "Carriage Wheel"
Sure, Darius Rucker fabricated it a hitting, but little comes close to experiencing Old Crow howling this singalong for thousands of invested onlookers.
Jeannie C. Riley — "Harper Valley PTA"
A fictional Tennessee scandal that took Riley to the top of Billboard's Hot 100 chart.
Miranda Lambert — "The House That Congenital Me"
The fastest-rising single of Lambert's career remains a haunting exploration of her music's ability to resonate for repeated listens.
Kitty Wells — "Information technology Wasn't God Who Made Honky Tonk Angels"
Two-and-a-half minutes of truth that launched a career for this Tennessee fable.
Jerry Reed — "Eastbound and Down"
Country music'southward best add-on to soundtrack catechism? Maybe — it's the virtually lively, at least.
Roger Miller — "Rex of the Route"
A soft tap on the bass, a snap of the finger and Miller's off to croon listeners with his 1964 vagabond tale.
Waylon Jennings and Willie Nelson — "Mammas Don't Permit Your Babies Grow Upward to Be Cowboys"
Two of the genre'south finest unite for a heartfelt warning that cowboys "never stay abode and they're always alone, even with someone they love."
George Strait and Alan Jackson — "Murder on Music Row"
"Someone killed land music/ Cut out its heart and soul," Strait laments on the seething duet. It was released in 2000, but the sentiment still strikes a chord today.
Bobbie Gentry — "Ode to Billie Joe"
What did Billie Joe throw off the span? Regardless of the answer, Gentry captivates with every word.
Vince Gill — "Become Rest High on That Mountain"
An monumental musical eulogy from Gill, delivered best during times when something moving needs to be heard.
Johnny Cash — "I Walk the Line"
Cash released his ode to temptation in 1956, cementing words in musical history that concur true in 2019.
Marty Robbins — "El Paso"
Complemented by Spanish picking, "El Paso" offers a bloody romance worthy of western songwriting.
Keith Whitley — "I'm No Stranger to the Rain"
The terminal single released during Whitley'south lifetime shows the singer peacefully reminding listeners that "I've fought with the devil, got downwards on his level/ But I never gave in, so he gave up on me."
Boil Arnold — "The Cattle Call"
The Tennessee Plowboy yodels his lonesome call, a sound that would shape country to come.
Reba McEntire — "Fancy"
Written by Bobbie Gentry in 1969, the omnipotent Reba unleashed burn down with her show-endmost 1990 version of this song.
Buck Owens — "Act Naturally"
A beloved song for the starry-eyed dreamers wishing about one day beingness put in the movies.
Trisha Yearwood — "Walkaway Joe"
Zeal turns awry in the dear 1990s ballad from Yearwood.
Lady Antebellum — "Need You Now"
Backside the band's gorgeous harmony, Lady A sings of a longing some may know too well.
Shania Twain — "Man! I Feel Like a Adult female"
The 1990s country anthem passed from Generation X mothers for millennial daughters to brand their own.
Taylor Swift — "Hateful"
In a characteristically triumphant move, Swift turns a tune about scathing critics into the brightest improver of her country music catalog.
Vern Gosdin — "Chiseled in Stone"
A tear-jerking ballad worthy of the Country Music Clan's Song of the Year award in 1989.
Blake Shelton — "Ol' Ruby"
Before information technology was a concatenation of bars, Ol' Cherry was the prison dog that helped Shelton'due south grapheme bust out (thanks to his cousin'due south bluetick hound.)
Ronnie Milsap — "Smoky Mountain Rain"
Homecoming leads to heartbreak on Milsap'southward 1980 nautical chart-topper, wherein the singer "thumbed my fashion from 50.A. back to Knoxville," only to find his dear has moved on.
Tom T. Hall — "Old Dogs, Children and Watermelon Wine"
"The Storyteller" drew from a existent-life encounter for one of his greatest tales. During a trip to Miami, he met a janitor at his hotel, who told him there were "three things in this world that's worth a solitary dime."
George Strait — "Amarillo Past Morn"
The Rex of Country Music subtly parades his royal status with a crisp story from the route.
Bob Wills and His Texas Playboys — "Stay a Petty Longer"
A taste of traditional western swing that simply asks listeners to trip the light fantastic all night and stay a little longer.
Alabama — "My Domicile'due south in Alabama"
Land music's 6½-minute calling card to the South.
Emmylou Harris and Gram Parsons — "Dear Hurts"
Nearly 60 years since existence initially released — and 45 years since Harris and Parsons' duet — yes, honey can nonetheless hurt.
Ricky Skaggs — "Country Boy"
A slick-picking slice of country music (and No. 1 hit) from one of the finest to pick up an instrument.
Ernest Tubb — "Walking the Flooring Over You"
A 1941 entry in which Tubbs shares a restlessness in a simple chorus: "I'thou walking the floor over y'all/ I tin't slumber a flash, that is true. I'grand hoping and I'm praying as my heart breaks correct in two/ Walking the floor over yous."
Glen Campbell — "Rhinestone Cowboy"
"Rhinestone Cowboy" definedCampbell's career. It was a land-pop hitting that kept the singer balanced between each world.
Carrie Underwood — "Before He Cheats"
State music has its share of anthems for scorned women, just Underwood's signature song is the gilded standard. An instant classic upon its release in 2006.
Charley Pride — "Kiss an Angel Skillful Morning time"
With the biggest of his dozens of hits, the Country Music Hall of Famer shared the fundamental to marital bliss: "Kiss an angel good morning/ And honey her similar the devil when you get back dwelling house."
David Allan Coe — "You Never Even Chosen Me By My Name"
John Prine didn't want credit when he co-wrote this kiss-off to Music Row. Just it was the perfect message to exist delivered by Coe, perhaps country music's about infamous outsider.
Willie Nelson — "Bluish Eyes Crying in the Rain"
The Ruby-red Headed Stranger narrates a story of emotional messiness with soothing clarity.
Johnny Paycheck — "Take This Job and Shove It"
It spawned an eternal catchphrase, simply don't forget at that place's some other layer to Paycheck's lonely chart-topper: "My adult female done left and took all the reasons I was working for."
Tanya Tucker — "Delta Dawn"
Recorded when she was merely 13, Tanya Tucker's first haunting hit is ironically almost an aging Southern belle, one who's nether the delusion that a long-gone suitor is still coming for her.
Patsy Cline — "Crazy"
It'due south been covered past the likes of Neil Young, LeAnn Rimes and Linda Ronstadt, but no artist captured Willie Nelson's lyrical poignancy the fashion Cline did with her 1961 version.
Keith Urban — "Somebody Like You"
Urban sounds unstoppable on his 2002 chart-topper, a beloved song that'south besides wrapped up in his personal redemption.
Garth Brooks — "The Dance"
What one song could possibly capture the career of this state music giant? How about the 1990 entry showcasing Brooks' unparalleled ability to embody a story worth singing for decades to come?
Charlie Rich — "Behind Closed Doors"
Country love songs didn't get much more suggestive than Rich's 1973 hit.
Tennessee Ernie Ford — "16 Tons"
It may be one of land's nearly depressing songs, and in this genre, that'south saying something. Ford'south across saving in his 1955 recording, every bit he's "sold my soul to the company shop."
Dwight Yoakam — "Guitars, Cadillacs"
When he found himself in Hollywood with a broken heart and shattered dreams, Yoakam clung to hope with his "guitars, Cadillacs (and) hillbilly music." Soon plenty, it made him one of country's biggest stars.
Hank Williams Jr. — "Family Tradition"
While he explained that he was only post-obit in his dad'south rowdy footsteps, "Bocephus" also truly stepped out of Hank Sr.'southward shadow with this 1979 smash.
Oak Ridge Boys — "Elvira"
Giddy-upwardly! We dare you to name a song that'due south more fun to sing than this Oaks "oom-poppa" classic (named after an E Nashville street).
Ray Charles — "You Don't Know Me"
Charles' heartbreaking spin on the Eddy Arnold/Cindy Walker vocal is the pinnacle of his landmark album "Modern Sounds in Country & Western Music."
Kenny Rogers — "The Gambler"
Heighten a glass to timeless advice.
Little Big Boondocks — "Girl Vanquish"
Some radio programmers were terrified of this 2014 song — in which Karen Fairchild sings of wanting to "gustation (the) lips" of the adult female who has her dearest interest'south attending — but listeners, critics and Music Row gave information technology a full encompass.
Lee Brice — "I Drive Your Truck"
Brice's powerful 2012 hitting was inspired past a true story of a father who institute comfort in driving the truck once endemic by his son, who'd been killed while serving in Afghanistan.
Lacy J. Dalton — "16th Avenue"
Several years later on she plant country stardom, Dalton fabricated sure to tip her hat to those still chasing their dream on Nashville's Music Row — aka 16th Avenue South.
Porter Wagoner — "The Green, Dark-green Grass of Home"
Earlier Tom Jones, Elvis and dozens of others put their spin on Curly Putman's archetype, Wagoner outset made it a hitting. In a devastating twist, it turns out he'due south dreaming of his hometown while on death row.
Merle Haggard — "Mama Tried"
A slippy lead guitar, Haggard's sketched storytelling ... California country with "Mama Tried."
Randy Travis — "Forever and E'er, Amen"
Travis lays out his devotion in his signature song, and listeners haven't stopped loving it since its release in 1987.
Roy Acuff — "Wabash Missive"
This folk song about a mighty train had already been passed down for generations when Acuff cut it in 1936, and his version helped the "Wabash" legend spread around the globe.
Guy Clark — "Desperados Waiting for a Railroad train"
Clark penned a cute tribute to his grandmother's boyfriend, Jack Prigg, "an old schoolhouse human of the world" who would sing "Carmine River Valley" with the budding songwriter.
Brooks & Dunn — "Believe"
The state duo won multiple awards for this soulful ballad of unwavering faith.
The Highwaymen — "Highwayman"
But songwriting great Jimmy Webb could conjure upwards an epic theme worthy of country's greatest supergroup, composed of Johnny Greenbacks, Waylon Jennings, Kris Kristofferson and Willie Nelson.
Larry Gatlin and the Gatlin Brothers — "All the Gold in California"
In soaring three-office harmony, the Gatlins issued a warning to all who head w with stars in their eyes: "It don't affair at all where y'all've played earlier/
California'due south a make-new game."
Charlie Daniels Band — "The Devil Went Down to Georgia"
In 1979, Daniels found the perfect showcase for his fiery dabble technique — a familiar tale almost a boy named Johnny who makes a bet with the devil (and wins).
Joe Diffie — "John Deere Greenish"
Against all odds, tractors accept nothing to do with Diffie'southward 1993 song. Instead, "John Deere Dark-green" is the color used to paint "Billy Bob loves Charlene" on the town's water belfry.
Earl Thomas Conley — "Property Her and Loving Y'all"
It doesn't take a chorus, but "Holding Her and Loving You" has quite a hook. Conley counts down the hardest things he'll ever do, and the song's title tops the list.
Dixie Chicks — "Broad Open up Spaces"
With the title runway of their breakthrough album — about a immature woman who's ready to spread her wings — the Dixie Chicks truly took flying.
Kacey Musgraves — "Follow Your Pointer"
On top of taking mainstream state into new territory with its "Kiss lots of boys/ Or kiss lots of girls" line, "Follow Your Pointer" was a powerful mission statement from Musgraves, equally she'southward proven to have groovy artistic instincts.
Patty Loveless — "How Can I Assistance You Say Good day"
"Time will ease your pain," Loveless sang. That may be true, merely this tearjerker most carrying on later on a move, a divorce and the death of a parent nonetheless stings 25 years later.
Sugarland — "Stay"
What if "Jolene" could have given her side of the story? On Sugarland'south massive 2007 hit, Jennifer Nettles sings from the perspective of a mistress, who begs her lover to stay earlier deciding she'southward tired of waiting.
Martina McBride — "Independence Day"
It's oft falsely assumed to be a patriotic song, but McBride's triumphant anthem is actually nearly a woman breaking free of an calumniating relationship.
Lee Ann Womack — "I Hope You Trip the light fantastic toe"
Whether you lot're singing it to your kids, a loved one or yourself, Womack'southward plea to alive life to the fullest and take chances truly resonates.
K.T. Oslin — "80's Ladies"
Oslin rocketed through the decades on her 1987 hitting, which fittingly sounds very much like a production of its time. "Now nosotros're 80'south ladies/ There ain't been much these ladies ain't tried."
John Anderson — "Swingin' "
Sure, it's nigh swinging on the porch (is it really, though?), but few state hits takestruttedthe way Anderson'south feisty, horn-spiked 1983 hitting does.
Nitty Gritty Dirt Ring — "Fishin' in the Dark"
"Y'all and me going fishing in the dark/ Lying on our backs and counting the stars." NGDB's archetype is all about simple pleasures, and listening to it is one, too.
Kenny Chesney — "The Good Stuff"
Kenny'due south bartender teaches him a valuable lesson: "The skilful stuff" isn't booze; it'due south the memories you make with your loved ones.
George Jones and Tammy Wynette — "Aureate Ring"
George and Tammy's greatest duet explains that "only love" can transform a "cold metal thing" into something more.
Luke Bryan — "Beverage a Beer"
Bryan didn't write this vocal, but he made a powerful connection to information technology, relating it to the deaths of his brother and sister. He sings about learning of the decease of a friend and going to the pier they would sit at to "watch the sunset disappear and drink a beer."
Lefty Frizzell — "If Y'all've Got the Money, I've Got the Fourth dimension"
Some things never modify. In 1950, Frizzell kicked off his celebrated career with this No. 1 tune about painting the town red and going "honky tonkin.'"
Toby Keith — "How Do You Like Me Now"
Keith was already an established star, simply he didn't actually crank up the mental attitude until this 1999 striking, in which he rubs his success in the face of an unrequited love.
Waylon Jennings — "Only Daddy That'll Walk the Line"
"Everybody knows you've been stepping on my toes/ And I'grand getting pretty tired of it." The outlaw legend is barely holding information technology together on his seething 1968 striking.
Emmylou Harris, Dolly Parton and Linda Ronstadt — "Fifty-fifty Cowgirls Get the Dejection"
The iconic trio finds exquisite harmony on a Rodney Crowell composition.
Hank Williams — "Your Cheatin' Eye"
Some consider this Williams entry, a can't-miss in land music history, to ascertain the genre.
Source: https://www.tennessean.com/story/entertainment/music/2019/08/25/best-country-music-songs-all-time/1760586001/
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